Moments of life lived, missed, remembered and forgotten, as glimpsed through the window of a moving train.
A view on thought and vision playing out the film of life - eyes looking through the window of a moving train. This film invokes the process of memory, the way thought snippets interject perception. The moving train => time => the moving image. The beginning of cinema: 'Arrival of a Train at La Ciotat' seen from the POV of the passenger. The passage of time seen through the ears of John Cage: 'Bacchanale' - the sound of life dynamic and chaotic, a thrust forth in time reversible/re-playable unto death.
Bodies in Trouble (2016, Moebius Films, Experimental), Writer/Director/Editor
Toopy and Binoo (2013, Echo Media Montreal, TV series), Visual Media Solutions Specialist
Beauty, Beware! (2013, CFP, Animated Short), Writer/Director/Animator/Editor
The Eyes that Stop the Train (2013, Moebius Films, Experimental Short), Writer/Director/Editor
Lead-Stick, Beware! (2012, CFP, Animated Short), Writer/Director/Animator/Editor
Peruse, (2012, Cactus Animation, Montreal, TV series), Background Artist
The Eyes that Stop the Train, (2010, CALQ, Moving Image Installation - Lenticular Photography and Video) Artist
Vanitas (2008, BravoFact!/MoebiusFilms, Animation Short), Writer/Director/Animator/Editor
Cruentation (2008, Experimental Short), Writer/Director/Editor
Dances with Mirrors (2007, Videographe/MoebiusFilms, Experimental), Producer/Director
Chipkalis (2005, Animation Macaques Inc., Pilot for Animated TV Series), Art Director
Station X (2004-2005, Cite-Amerique, Animated TV Series), Background Artist
The Boy (2003-2005, Toonkan Animation, Animated TV Series), Development & Key Background Artist
Gold (2003, Experimental), Director/Art Director/Editor
The Revenge of the Butterflies (2002, Experimental), Director/Art Director/Editor
Heavy Metal F.A.K.K.2 (1998-1999, Cine Groupe/FOX, Feature Animation), Development & Key Background Artist
Iona Pelovska is an Artist/Filmmaker and Doctor of Philosophy focused on the aesthetic convergence of technology and corporeality. Her films have been shown at festivals and art venues in Europe and North America, having received the support and recognition of major art and film institutions. Iona Pelovska has presented her film work and theory at academic conferences, lectures and public talks around the world.